In an intriguing article at The Millions, Guy Patrick Cunningham wonders whether fragmentary writing may prove a cure for fragmentary reading:

[David Shields’s] Reality Hunger and [Masha Tupitsyn’s] Laconia are very different books, but they share this desire to use fragmentary writing to dramatize the act of thinking through culture (in Shields’ case mostly books, in Tupitsyn’s mostly films). Even this desire has its roots in the digital world, where culture is constantly being repackaged and analyzed. If neither work achieves the majesty of Beckett’s Texts — to be fair, an obscenely high standard — both find an approach to fragmentary writing that pushes the form in a new direction, rather than just rehashing modernism’s innovations. They manage this by drawing on digital forms — Shields by creating a “collage” that mimics the mash-up culture that dominates online media, Tupitsyn by writing her book via Twitter. In so doing, they suggest an interesting new path for both writers and readers, one that takes the clutter of the digital world and transforms it into something quieter and more thoughtful.